To nitpick, I didn't like the built-in browser at all, makes the GUI take up too much screen space and didn't seem to add much convenience over Live's patch browser. I love, and this is the way I see the things, this phisical modelling synthesis thing from AAS is giving me a lot of pleasure with warm sounds, simple, fast, clean. but I always took beautifull sounds out LL ep 2, and this version sounds sweet and you get much more an electric piano sound.Īnyway. Yeh, like you said, its good but not the same.
just something that suites in the mix or song, and even better when with just a few moves I get weirds sound, nice ones, or even simple ones. Maybe because I do not want a perfect recreation of any ep, I just want to have a good sounding ep, no mater if it's a wurly or rodhes, or whatever. it sounds great, the possiblilities are infinite to mangle and tweak it, easy to use interface, and a great sound result. not only with Lounge Lizard, I mean String studio does a great job, but it will never sound like a real guitar or a good one sampled and layed correctly, but hey. I don't think you could compare a synth with a sampled library. I don't mean to be Debbie Downer, just recommending the Scarbee series over the EP-3 and leaving my reasons why. And that is just as crucial a part of these EPs' sound as the tone. He was amazed with the sound of the Scarbee libraries, and he owns an actual Mk2, a Wurly, and 2 Hammonds.ĪA have got the tone down incredibly well, but the way it reacts when you actually "play" it, is far from a quality recreation. I've tracked a local player with RSP73 and he was happy with 256 samples latency. If i had the option of recording a Rhodes Mk2 or having the player use a Yammy S09 controlling Scarbee RSP73, i'd chose the latter simply because it sounds way better than any recording i could get of a Mk2. a 12 velocity multi-sample such as the Scarbee libraries captures this incredibly well.Īnd the sonic quality of the Scarbee samples themselves is extremely incredible. Lounge Lizard, which is getting better with each update, still has not mastered how their sounds react to velocity. how the hammers react to velocity is critical. With Rhodes and Wurly, i've learned that "the sound" is all about Velocity. I own the Scarbee RSP 73 Rhodes and WEP Wurly multisampled libraries (giga, but they convert perfect to Kontakt 2), and it is my opinion that these libraries are the absolute best solution available for getting the true sound of either Electric Piano without using the original EPs themselves. but it does not sound like a Rhodes or a Wurly, at least not from any of the prest patches included in it. its good but i don't agree at all with their claim that it is "an unparalleled recreation of the classic Rhodes™ and Wurlitzer™ electric pianos."
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